Books I have read - White Turtle by Merlinda Bobis

White Turtle is a magical, humorous, sensuous and emotional collection of short stories by Merlinda Bobis. Many of the stories contain an element of magic realism and offer either narratives or snap shots of social commentary.

The first narrative in the collection, 'An Earnest Parable', has been marinated in mouthwatering descriptions of food and language and all the things that a tongue can sense. This fantastic story offers a unique take on multiculturalism as the residents of Bessel Street taste the food and language of their neighbours through their communal tongue.

The butcher was not one to waste time. Immediately, he laid his soft, pink flesh, moist with the previous owner's steak and peppercorns, inside his mouth (1).

The delicious description of food, combined with magic realism, can also be found in Bobis' story 'The Kissing'. I hope to one day write as well as Bobis does, to capture the taste of food, to entice the senses and to create clever twists, similar to what can be found in this short story.

'Fruit Stall', the second story, is a comment on the kinds of prejudice that Filipino women, living in Australia, post the mail-order-bride trend, experience. The main character of this story hides her cultural identity, ashamed of the connotations that follow. Bobis has a way of constructing social commentary that can be at times embarrassing, but is never the less delicious to read. 'Fruit Stall' is fast paced and soaked with a dry humour:

He reminded me of the pet monkey we had when I was young. My father gave it away, because it would wake up the whole house in the middle of the night with its crazed monkey-sounds. Jake did the same, chattering away about his great big white banana getting bigger and harder... (7).

Another story that explores migration is 'Border Lover'. The descriptions of flying and of family in this story reminds me of Sophie Cunningham's Geography.

The third short story, 'Fish-Hair Woman' is a harrowing magic realism tale about a young Filipino woman who dredges the river near her village everyday, to pull out the bodies of young men. This story and the fifth story of the collection, 'Storm', are emotional tales, that deal with very raw and traumatic themes. Both stories fit within the magic realism genre, entwining superstition, Filipino mythology and real life themes of war, death, love, fear and rape.

Another story that explores the theme of war and how it impacts on Filipino civilians, in small and isolated communities, is 'Before the Moon Rises'. Reading these stories by Bobis has opened my eyes to some of the history of the Philippines.  

'Colours', the fourth story in the collection, is written from a man's perspective. It tells of an unrequited love, of an obsession that the man has for his married neighbour. Again, this story is an example of Bobis' rich writing style. Bobis has a way of drawing me, as a reader, into her stories, dazzling me with her ability to stimulate my senses through her words. In this particular story the colours of the neighbours clothing are so vivid that I feel blinded, like the man:

My doctor said I needed dark glasses for protection. I ignored his advice. I didn't want the world to grow any darker. I wanted only to dream of yellow breasts. Perhaps, she was right about me being a sleazebag, but I couldn't help it. The shapes, which I could no longer see clearly, became more defined in an inkling of song the hue of mangoes, daffodils, jonquils, all yellow staring back at me (26-27).

Another magic realism story is 'Frock', which is full of rich imagery of a dress and a child' imagination:

Silvery fish on each breast. A trail of green turtles around the waist (145).

'Jar' is a brilliant story about sexual abuse and predatory behavior in the workplace. If only all women had the same defense as the woman in this story.

The story that the book has borrowed it's title from, 'White Turtle', describes the scene of a panel of writers speaking at a writers festival and how the other writers and the western audience respond to one of the panelists. Lola Bayson does not have a published book that people can purchase and have signed, her story is an oral tale:

The bespectacled writer was slightly impatient - but her act is a multicultural or indigenous arts event, definitely not for a writers' festival (42).

This realist sketch is thought provoking and a delight to read.

'Mac Do' and 'The Curse' explore illness and family relationships. Family is a recurring theme in Bobis' stories. The love, fear and pain felt by the characters of these two stories is moving and an illustration of Bobis' skill.

'Shoes' is a great story about family and poverty. The character development in this story is beautiful, as father and daughter walk along a hot road:

He takes off her shoes, bought especially for this outing. The soles of her feet are red, promising heat blisters. He examines the shoes, knocks at the soles (113).

Family and particularly the relationship between children and their parents is described in 'The Sadness Collector'. This story uses the power of a child's imagination to explore drunkenness and separation:

The lid clatters off the pot. Beneath her room, the kitchen is stirring again. Rica sits up in her bed - the big one has returned? (132).

Family and community are humorously explored in 'Pina and the Flying Cross', as well as the themes of World War II and the isolation of small communities. Similar themes are explored in 'Flores de Mayo'. Bobis' take on small, poor towns in the Philippine is unique and captivating.

Bobis experiments with the short story format in 'The Long Siesta as a Language Primer' and 'Triptych'. 'The Long Siesta...' is laid out like a series of dictionary definitions, each definition builds on the character, setting or action that has been introduced in the proceeding one. In this piece Bobis explores Filipino language and English, something that she does in a lot of her writing, giving a sense of authenticity to her themes of migration and culture.

Another experimentation with the standard short story format can be found in 'Dream Stories'. This story is constructed through three snap shots 'Corazon', 'Yellow' and 'The Death of Chopin Chopin'. This story is a touching exploration of love, constructed in a web of magic realism, where musical notes clutter a house.

'Triptych' tells of a love triangle. It is laid out in three columns, so that it can be read vertically or horizontally. This effect both visually and poetically represents the three points (characters) of the triangle. The unusual layout of the three tales, the triangle, is daring, but it works.

The raunchiest story of this collection is 'Splinter'. To orgasm as a stranger sucks a splinter out of the palm of your hand, while waiting at a train station, makes for a fun story.

The collection finishes on a humorous note, with 'The Wind Witch'. A story that contains magic, hope, dreams and fart jokes. It was great to finish with a fun story, but this by no means drowned or dulled the impact of the stories that contained more traumatic themes.

I hope that Bobis is more happy with what I have written here than the writer, Diaz, was in 'The Review'. The stories in this collection all live up to their "aspirations", they are amazing!

An excerpt from this book can be found here.

The book can be purchased from Spinifex Press here.

Another review of this collection can be found here.

For more information about Merlinda Bobis and her writing please check out her website here.

Books I have read - Geography by Sophie Cunningham

Geography is an erotic novel, which follows the journey of Australian resident Catherine. Catherine finds airplanes erotically stimulating. For her airplanes facilitate physical contact with the older academic Michael, whom she has obsessed over for years, who lives in the US. Michael and Catherine have had a long term raunchy affair that is predominantly conducted through fax and email. Airplanes and travel have also brought Catherine to the younger, attractive, lesbian Ruby.

“ … Beauvoir wrote about this … after she started sleeping with Sartre she became so obsessed that even getting on the tram became an erotic experience for her. I know how she felt, like everything around you is penetrating you … Everything turns into sex” (Cunningham 36).

 I have to disagree with Gillian Dooley's assertion that "the sequence of events can be difficult to follow, and there is no beauty or transcendence to counteract the irritation the reader feels at having to re-read pages in an attempt to work out where and when this is all happening. It’s an ambitious book, Cunningham has failed to create a narrative that is either effective or engaging." Geography does jump between the past relationship with Michael and the blossoming relationship with Ruby, as well as Catherine's memories of her childhood, but I did not find this difficult to follow and in fact found that this helped to further pull myself, as a reader, into the story. I enjoyed vicariously exploring sexuality through Catherine's relationships and admired Cunningham's ability to allow Catherine to develop as a character, to better understand herself as a character, through her sexual relationships.

Thank you Sophie Cunningham for allowing me to travel with Catherine to the US and South East Asia these Summer holidays.

For a more comprehensive review of this book check out Julie Proudfoot's comments here.

To read an extract of the book visit Cunningham's website here.

Cunningham's novel can be purchased from amazon.

Books I have read - The People Smuggler by Robin de Crespigny

I have read some amazing novels, short stories and poems so far this summer including The People Smuggler by Robin de Crespigny. This incredibly moving biography should be on everyone's must-read-list.

Ali Al Jenabi's story is an important one, particularly in-light of current political discussions surrounding how to manage asylum seekers in Australia. Crespigny's writing style and dedication to Jenabi's story is clear in the way that she captures the voice of Jenabi and the fear, sorrow, uncertainty, hope, joy and love that has been part of his journey.

There are sections within this book that are shocking and painful to read. When Jenabi first arrives in Sydney, in 2003, he is forced to strip in-front of multiple police officers and an interpreter: "...they force me to undress, then they hold me down while one of them puts on a latex glove..." (294). Another, more horrifying, event happens when Jenabi is in Villawood Detention Centre, in 2007: "...I hear screaming... It looks like a woman is being held down by four guards while two others supervise. Then one kneels next to her. Suddenly the screaming fades, she stops struggling and they drag her away" (328). After witnessing this terror Jenabi finds that asylum seekers who are refused refugee status are often deported in the early hours of the morning to avoid media attention: "The men are handcuffed and the women are forcibly injected with tranquillisers..." (328).

I hope that all Australians are made familiar with Jenabi's story and learn from it empathy for asylum seekers who flee nightmarish situations, such as Jenabi and his family have fled, as well as the humanity of so called 'boat people'.

The People Smuggler is available from various book stores, including Penguin and Amazon.

For a more detailed review of this book please check out the ABC Unleased.

Seeking the Sun: Australian Poetry 2012

I came home from work on Thursday to find a copy of the Central Coast Poet Inc.'s anthology Seeking the Sun: Australian Poetry 2012. I flipped the anthology open and scanned through the poets included, there were some great writers represented. Amazingly my name was in there. The anthology includes my poem 'Retirement and a Goat', which I submitted to the Henry Kendall Poetry Award. Thank you to David Musgrave and the team at Central Coast Poets Inc. for including my poem in this collection.

The anthology can be purchased from http://www.amazon.co.uk/Seeking-Sun-Australian-Poetry-2012/dp/1466425369.

Merry Xmas and Happy New Year everyone.

Zwischenräume - Spaces of Convergence

Check out the films of Ken Challenor, Di Barkas and myself reading our ekphrastic poems at the Zwischenräume - Spaces of Convergence exhibition.

Thanks to Adam Carr for all his hard work in getting these online and to Garry Jones for filming on the day.

http://southcoastwriters.org.au/article/event-2012-zwishenraume.php


My poem can also be read in a previous post here.

Unfolding

The Nan Tien Institute, SCWC (South Coast Writers Centre) and IAVA (Illawarra Association for the Visual Arts) invite SCWC poets to be part of a unique collaboration at this upcoming event. ‘Unfolding’ is an art exhibition that gives local artists and writers the opportunity to reflect on living in the ‘Asian Century’. The ‘Asian Century’ follows on from an American Century in the 20th century and a British Century during the 1800s, with concepts that allude to trans-cultural experiences across the globe, economically, politically, and philosophically. Two winning entrants will have the opportunity to perform before a huge audience, as the opening is part of the official Nan Tien Institute’s Graduation Day, for which some 4000 visitors are expected. In addition, the poems will be published in a colour catalogue. 

It was a joy and a challenge to respond to the theme 'living and working in the Asian Century'. Thank you to the Nan Tien Institute, SCWC and IAVA for the opportunity to submit a poem for this exhibition and for excepting my piece. 

To read my poem 'Conversing' please purchase the catalogue from IAVA or you can purchase it from the SCWC at  Gleniffer Brae (Wollongong Conservatorium of Music), 5 Robsons Rd (Corner of Robsons Rd and Murphys Avenue), Keiraville.

Poetry Open Mic - 24th November

 As I near the end of my cafe poet residency with Australian Poetry I would like to thank Gilbert's of Mittagong and Australian Poetry for helping me to establish this residency and for supporting me throughout.

Rhiannon Hall - Poet

I would also like to thank all those who came to talk about poetry with me and that attended one of my events, particularly thank you to Anna Kerdijk Nicholson and Mark Tredinnick for attending round table discussions about their poetry.

Peter Carmody - Sound Tech

On Saturday the 24th of November Susan Pearce and Peter Carmody from Carmody Out of Ireland met me at Gilbert's of Mittagong for the last of my poetry open mics. Susan and Peter have been amazing during my residency, lending me a PA system and setting it up for me. It has also been a pleasure to hear Susan's poetry. Susan's poetry is an observation of the culture and people that surround her and includes some fabulous lines, such as: "...an upside down view of the world..." (from a poem about taking her cat to the preschool she teaches at) and "...black is the... chemical smell of newly laid tarmac..." (in a poem that describes colours to someone who is blind). 

Susan Pearce - Poet

Treva Taylor - Poet

All the way from Wollongong, Treva Taylor from the South Coast Writers Centre, made a trip to Mittagong to entertain and challenge us with his poetry, that ranged from funny poems about mobile phones to emotional poems about poverty, war and the death of a child. Thank you Treva for making the drive and inspiring us with lines like, "...cast iron around his head..." and "...my eyes are watching the flow of electrons...".

Jared Camilleri - Poet

Repeat offender Jared Camilleri, again surprised us with his poetic skill. Jared's works have a depth to them that is awe inspiring for me. Congratulations Jared for your recent poetry reading on the local radio and good luck for your future publications.

Gregory Tome - Poet

Gregory Tome's poetry is always well crafted. Thank you Greg for joining me on many of my Fridays at the cafe to talk about poetry and for attending so many of my cafe poet events. I hope to see some of the poems that Greg read on Saturday in publication soon. From a poem about a woman pegging out clothes to a poem about a woman handing out potatoes at Auschwitz Greg captures small actions in such delicate detail.

Lorne Johnson - Poet

It was so exciting to have so many promising emerging poets at this event, including Lorne Johnson. Lorne has been generously offering me advice on my poetry and publishing opportunities, drawing my attention to a new Perth magazine called Regime. Lorne has been published in various places, including Meanjin, Regime, Rabbit and the Red Room Company's phone app The Disappearing. I especially enjoyed Lorne's poem about artist Adam Cullen. It has been a treat to meet you Lorne.

John Brown - Poet

Thank you to John Brown for capturing this event with your photography expertise. It was brilliant to hear John read some of his own poetry this time around. For someone who has not been writing for long John has a skill for words, capturing everyday life in his writing. An example of John's craft can be found in this line, "...brotherhood unspoken, but lived...".

Kerry Miller - Poet

Kerry Miller's poetry is often philosophical and always captures an interesting and well thought out concept. At the open mic Kerry read an anti-Pastoral poem with some harrowing lines, such as, "...skeletons of drowned trees..." and "...in a bowl of liquid sky...". 'Liquid sky', what a beautiful description of rain and flood. Although the image 'liquid sky' may be beautiful the reality of flood, as dangerous and destructive, is also conveyed in Kerry's poem in the words 'skeletons' and 'bowl'. Nothing can escape the effects of flood, everything is caught in the 'bowl'.

Ceinwen Hall - Artist

Thank you to my sister, Ceinwen, for joining us, supporting us and for reading out one of our Dad's, Phillip Hall, poems.

Thank you to the South Coast Writers Centre, HighlandFM, Highlife, and Highlands Post for their support, advertising my residency and events.