To be a poet one needs the six P’s – the pencil, the paper, the perception, the passion, the persistence and the unshakable persuasion that the poem is in fact possible and attainable. - Grace Perry
Showing posts with label Gela Samsonidse. Show all posts
Showing posts with label Gela Samsonidse. Show all posts

Wednesday, November 28, 2012

Zwischenräume - Spaces of Convergence

Check out the films of Ken Challenor, Di Barkas and myself reading our ekphrastic poems at the Zwischenräume - Spaces of Convergence exhibition.

Thanks to Adam Carr for all his hard work in getting these online and to Garry Jones for filming on the day.

http://southcoastwriters.org.au/article/event-2012-zwishenraume.php


My poem can also be read in a previous post here.

Tuesday, August 7, 2012

Demokratizmi



The following poem, which was generously selected by the SCWC director as the July 2012 South Coast Writers Centre poem of the month, was written in response to Zwishenräume – spaces of convergence art exhibition. I wrote this poem in response to an artwork by Gela Samsonidse (the image on the right).

I have never previously written a poem in response to an artwork, which was an interesting, stimulating and exciting experience for me. I have also never written a piece that experiments with language the way I have here. I hope you enjoy it.

after an imprint by Gela Samsonidse
 

დემოკრატიზმი
(democracy) drums,
chanting from the people
mouths widen, marching
mi to the ballot box,
curving in a crescendo
climaxing in October 28, 1990
striking the floor, blood
(სის­ხლი) blood shed on canvas. 


Friday, June 8, 2012

8th of June Cafe Poet Residency

Another productive day at Gilbert's yesterday. I wrote a draft ekphrastic poem for an upcoming exhibition at the University of Wollongong Creative Arts Faculty gallery. I won't post the poem, just in case it is good enough to be published as part of the exhibition. But, let me share with you how I went about responding to Gela Samsonidse's artwork. He begins his art works with words and through his work explores the aesthetics of the word, rubbing the words back out. The piece that I have responded to is a charcoal and graphite rendering. I have tried to draw the words, emotions and concepts back out of his image, commenting on the sound of the words and how that relates to the meaning those words hold.

I also, had two people come in to workshop their poetry with me yesterday which was lovely. It was very enjoyable talking with some fellow writers, Berlio and her husband Ron, as well as Gregory Tome.

Yesterday I read a selection of Libby Hathorn's poetry from Talks with my Sakteboard (these can be found on a great blog 'An Australian Poem a Day'). This selection is written for children and is a great read. She uses rhyme and draws upon the everyday life of a school student to craft something, or multiple somethings, that is witty, clever and fun.

Finally, I began writing a poem on the theme of 'The Winter of our Discontent' for the second UOW literary Society Zine. I began by doing a twitter search of this quote and I rate the top tweet as: "now 'really' is the winter of our discontent made glorious summer by cheesecake and fork" by @PresumptuousBug.